statement of problem revised again

I am tracing a cultural object which has been censored in multiple media forms. This object has passed through witing, print, film, and now exists online. In each of these forms, it has encountered different conditions of censorship. I want to find out what changes in those conditions, and why. This will include an examination of the works’ internal contents, as well as of their external contexts. I hope to show that there are uses and effects of censored works which can change the very conditions of censorship in which they are proscribed.

(i am leaning towards Bunuel’s Los Olvidados, into Guyotat’s Tomb for 500,000 soldiers, and then examining how to distribute a remix of those objects online, through various network forms (eg P2P networks, hash caches, mainstream retailers…)

Statement of problem, three

I am tracing the representation of one cultural object through three distinct mediations. (I have not yet picked this object out with confidence, but the three media will probably be something like print, film/performance, and digitalization.) I want to find out the conditions of its censorship in each of these forms. Such conditions may have elements which remain constant, such as its content or structure, while others may change depending on that medium, like the political or economic forces (and actors) which contribute to its proscription. Studying this object should help my reader understand the potential uses and effects of banned media in changing the conditions under which censorship is possible.

statement of problem, two

I am studying banned, censored, prohibited, proscribed, suppressed, and destroyed works of print, television, film, music, visual art, and digital media. I wish to describe the conditions under which censorship is possible. This would include both internal conditions such as sexual, violent, political, drug-related, blasphemous, or otherwise profane content. It would also include external conditions such as institutional, political, religious, sociocultural, psychological, and economic factors. To manage this descriptive problem, I would divide the research into three broad areas of discussion: books and printed media; visual and aural media; digital media. Finally, I plan to explore the uses and effects of censored media, as objects in the material world.

statement of problem

I am tracing banned media, especially books, movies, and websites, because I want to know the internal and external conditions of their proscription, and so that my reader might understand how these banned media can affect the conditions that led to their censorship.

hey nomad

left California on a whim.
been driving for 18 hours,
awake for over 48.
just coined the term
meta journalism
it’s going to be a good summer.

biked ten miles in a circle.
got plane tickets
and a passport.
lamb chops and potatoes
in the oven.

just realized
the only reason
to go to Paris

but I haven’t heard gospel since then.

(with Zach Meyer,
3 June 2009
7 am eastern time)

In Media Res

With Tom Bair: 27 may 2009

I am abiki and orisa at once
tracing the never ending cycles
the mandala of the sun and the earth.

he got a tattoo of a diamond
on his face because he thought
he was into the sort of girls
who would have been into
the sort of guys who had
a tattoo of a diamond on their face.

I burned my manuscript and threw
the leftover ink into his face
to fill the blank stare.
he was worth less than a word.

and what is this thing
swimming soul-like through
the creases of my being
like an eel, with a laugh
so bitter i can taste it?

I know that i am worth less
than the ink and ashes
it’s invested in
the hollow spaces
underneath my fingernails.

word.

the diamond is not a metaphor.
and watch me watch me watch
me become something you
wouldn’t write about,
at least not in a poem
to read at milquetoast
coffeehouses or in the
national slams. I am too
easy to ignore – so cross
the street to get away from me.

I don’t look out
my window anymore.
I memorized the view.
i breathe an ant song.

I call it violence by omission.
they call me god because
my wind is newer than yours.
they call me prayer because
I am their hands.

tell her I stayed up all night
upside-down. Then breathe
the breaking awe. then join
the crowd and breathe their
residue.

by residue, of course, I mean
the thought of me. I am not
a narcissist. I am not a
solipsist. I only believe in
the whole of the thoughts of me.

enter each other quietly.
you are each a church.

and we rise and we rise
and we rise and we praise
our emptiness in perfect silence.

Reflection Essay

This semester, I worked hard to grow as a student, particularly focusing on how much and how well I could use more than one discipline to solve problems. In “Looking at Photography,” I used a combination of formal analysis of photographs, close reading of source texts, archival research into photography collections, and interpretation of their status and use as cultural objects, to look at some topics and techniques in photography that were something other than representational. I had to innovate when it came to showing the photographs I discussed, because the technology available did not allow for printing the images in color, let alone at photographic quality. So I created a Picasa album online to store the images electronically, and provided the professor with a link to that album. In this way, he could view the high resolution images in color while reading the paper. This also avoided the problem of the images interfering with the text, or having to flip to the back of the paper in order to view them. By the time I had to make that decision, though, I had been prompted in many other ways to use various media to their fullest effects.

In “Media Theory and Visual Culture,” I engaged my final topic, media literacy, by combining visual and textual analysis of media objects. I also employed close readings of both theoretical and architectural frameworks of the various media systems I examined, as well as interpretation of the intersection between technology and society. Weekly input in “Media Theory and Visual Culture” was also useful for understanding that intersection. The seminar format combined with the open-source wiki that we used as a platform each week. Each of us to could put our own perspectives on the week’s readings into an archived, malleable conversation that both supplemented and engendered class discussion. The visual reminder of how differently each student approached the topic of the week was an inspiration to diversify the ways in which I could work to solve a problem.

For my 505 midterm essay, I sought to bring organizational communications into conversation with interpretive cultural criticism, in order to describe GoCrossCampus as an example of an online “communications complex”. In this particular project, I failed take full advantage of the potential of the concepts I appropriated and developed, because I did not fully engage either specific discipline’s perspective before attempting to combine them. However, I cannot leave out the group project from a consideration of my interdisciplinary work this semester. In our case, we worked with criminology and social psychology to examine the phenomena of email and text message alert systems. In that group, the heterogeneity of our members led to success in dividing and combining our strengths, from the conceptual development of our project, to research and compilation of sources, to interviews and surveys of subjects, to technological construction of the presentation, culminating in the rhetorical delivery of the presentation. In general, the larger discussion section in which I participated this semester was just as successful, since our various perspectives helped to dissect the readings from each week as well as to clarify the broader contexts and specific implications of each module.

Despite mixed results and some ambiguities about my methodologies, I feel far more comfortable working between and across disciplines by the end of this semester than when I began in August. That comfort level has also translated into more confidence in setting my own goals and taking control of individual projects, solving problems, and valuing collaboration between other members of group projects. I am beginning to understand how a problem changes when more than one discipline begins to question it.