Whether one accepts straightforwardly deterministic speculation or not, whether one prefers to think the mind and the collective mind as functions of or factors in computing, we are bound by mediating forces. As the paragons of privileged speculation, Marshall McLuhan and Lev Manovich stand unchallenged as the sources for media and software theory in the United States. Their conceptual frameworks are most contentious when held against certain French thinkers’. McLuhan’s insight that all media contain as a message a prior medium finds a counterpoint in Regis deBray’s analysis of media as overlapping paradigms, rather than linear progressions. Manovich’s later contributions to software theory as a field in its own right takes as a direct target the archaeology of media as expounded by Michel Foucault, whose concentration on print and writing as valid archival data severely limits his historiographic impulses. But taking these two Anglo writers’ work on their own, we can unpack just where they stand, as well as their utility and inspiration for contemporary thought. Continue reading
Turkle, Sherry. Alone Together. New York: Basic, 2011
It would be foolish to refute the core premise of Sherry Turkle’s third installment in her series on computers and people: technology – specifically, robots and computers – have taken on agency in their relationships to humans. Her anecdotal approach threads a compelling argument through selections from her psychoanalytic research that includes over 450 subjects, of all ages. In Turkle’s estimation, computers have become what occupies us, keeping us always tethered and networked, rather than remaining our occupational instruments. Likewise, her staunch humanism views the advent of robotics that go beyond artificial intelligence by performing social functions like caring and emotion as a pivotal “robotic moment” for our lives, and for our concepts of life as such. The stakes of being-human, on her account, are changing, and not necessarily for the better. Continue reading
Foucault’s methodological treatise, a decade in the writing, dismantles and reassembles historiography and epistemology. Rather than treat its object — discourse — as evidence of contiguous historical phenomena, Archaeology of Knowledge (AK) situates discourse as the rules that govern our organization and understanding of historical (as well as political, social, and other sets of) knowledge. At the same time, it describes discourse as a practice that encompasses the very making of those rules. True, then, that this abbreviated forum, as always, would fall short of adequate recapitulation of the book’s themes, let alone to float critique. But we can try:
The frontiers of a book are never clear-cut: beyond the title, the first lines, and the last full stop, beyond its internal configuration and its autonomous form, it is caught up in a system of references to other books, other texts, other sentences: it is a node within a network. Continue reading
Whether coursing through archival data or meditating on turns of language, Foucault’s early works — the History of Madness, the Birth of the Clinic, the Order of Things, and the Archaeology of Knowledge — each address ways of knowing how and what we think. Based on the approach in those works, we can refocus their efforts onto a tertiary question. While lacking the familiar modulus of power, this approach can still maintain a close attention to the thought of thought as such. It helps elucidate how we conceive of the conditions to this reflexive thought, and thereby to sketch contemporary epistemic limitations. The motivating impulse here, then, is: What exists outside our conditions of possibility of thought, and how can we know it? Continue reading
This first post in a short-term regular series of essays on Michel Foucault deals with his most famous influences. I begin with the precursors to Foucault’s own production of knowledge because their work and tutelage form the conditions of that production. This requires that I oversimplify some of their contributions to cultural scholarship and critical theory. I hope to maintain a baseline level of respect for their importance without fetishizing their names, just as I intend to maintain the tension between the familiarity of Foucault’s own name and the irreducibility of his intellectual production to any single certain thought or text. Enough lingering on qualifications and breast-beating, then. Let me turn to the names and their significance for Foucault’s emergence as a theoretical producer – and event.
- Michel Foucault – image via Creative Commons.